Author: <span>Carrie</span>

Let me be honest from the start. I am geopolitically ignorant. I avoid the news as much as possible because it provokes within me overwhelming bouts of anxiety, depression, and helplessness. When I do connect to mainstream journalism, it’s through the BBC News app on my iPad, and even then I usually focus on the Science and Environment sections. A week ago if you’d asked me about someone named Mubarak, I would have said, “I have no idea who that is.” Maybe that makes me the worst person to review a documentary about the protests in Cairo’s Tahrir Square. Maybe it makes me the ideal audience.

Having watched The Square, I’m still no expert on Egypt, revolutions, or humanity, but I suppose the only thing to do is keep learning. I can only offer my tiny, individual observations in this moment, knowing everyone else has their own as well. I think it would behoove anyone to see this documentary. Chronicling the uprising against the Mubarak regime that began in January of 2011, the film subsequently follows a diverse group of Egyptian revolutionaries over the course of several years’ turmoil. The interviews are intensely personal and heartfelt, and the footage is raw and realtime. This isn’t a sixty second soundbite on CNN or FoxNews. It felt like history recorded by those living it, not propaganda, not history written by the victors. Watching The Square – almost two hours in length – merits time and attention.

I first read about this film while doing a general Google search for documentaries to watch and review for my blog. I found this listicle and lo, The Square is actually available on Netflix – in fact, it’s a Netflix production and a 2013 Academy Award nominee.

The Square was directed by a woman – Egyptian-American Jehane Noujaim – which pretty much locked me into choosing it as my May documentary watch project.  I appreciated the film’s inclusion of female activists (Ragia Omran, Aida El Kashef) in a largely male-dominated political arena. I also checked out Noujaim’s TED talk, and you can see that here – an emotional plea for peace through art. I’ve often heard people complain that musicians and artists shouldn’t make political statements – that they have no place doing that and should only “entertain.” I couldn’t disagree more. I don’t want to live in that world. I need music, art – and that includes street art – literature, dance – and films like this – to inform me, to inspire me. So I can keep striving to cultivate peace myself.

Tahrir Square February 10, 2011 By Jonathan Rashad (Flickr) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons 

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Words Dance has published another one of my poems! “Texarkana Tap Water” was inspired by my time last Autumn in Texarkana, Texas. A gorgeous state – Texas is big enough to encompass many different kinds of beauty, from high desert to the hill country to the bayou. And Texans really set the bar high for hospitality. Much thanks to my friend Susan for the opportunity to immerse myself in this part of America, even if the tap water was quite…unique. My heart goes out to everyone affected by the floods. I suppose the eventual good news is that the state’s four year drought is over. I would raise a glass of tap water to that. You can read my poem here.

“Old map-Texarkana-1888” by Henry Wellge (1850-1917). – http://www.birdseyeviews.org/zoom.php?city=Texarkana&year=1888&extra_info=. Licensed under Public Domain via Wikimedia Commons  

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I dig fossils.

I mean, not literally. I have never been on a fossil dig; I’m no paleontologist right? But I dig fossils, man. I didn’t realize this until a recent trip to John Day Fossil Beds National Monument in eastern Oregon. And of course, I have been gettin’ my Darwin on – lots of fossil talk. I listened to the audiobook of Jerry Coyne’s Why Evolution Is True on my Oregon road trip. Pretty good overview of evolution with detailed examples, but I cracked up every time the narrator adopted a limply terrible British accent to read the Darwin quotes.

I didn’t plan on going to John Day Fossil Beds. Driving back to Wyoming from Bend on Oregon 26 (oooh, so gorgeous), I didn’t want to show up at my motel early, so I stopped at the Sheep Rock Unit of the monument.  The monument is actually three separate areas – a total of 20,000 square miles – spread out along the John Day River valley. I showed up at the Thomas Condon Visitor Center – ten minutes before closing. Bummed! I speed-wandered through the exhibit (40 million years in 8 minutes) and grabbed some pamphlets before the Ranger chased me out. Then I ambled across the road to the Historic Cant Ranch, a restored old sheep ranch and house, just as a big dark thunderstorm started to brew.

IMG_2963When’s the last time you really thought about fossils? High School science class? That museum somebody dragged you into on your last family vacation? Me too. But now I’m starting to become more interested in the fossil record. I’ve found a good overview website from the American Geological Institute about evolution and the fossil record that also has a handy concise summary of Darwin’s Theory of Evolution. And there’s this web page from Nature – the most detailed, image-rich resource I’ve found that explains how scientists can determine the age of rocks and fossils.

The John Day monument’s landscape is beautiful – colorful striated cliffs, rolling meadows, the gentle river. And it’s extremely important to paleontologists; they are still actively digging, researching, and compiling within this important repository for the big mammals of the Cenozoic. The fossil assemblages are remarkable for their sheer quantity of specimens as well as the intactness of the communities preserved in the rock layers. As the Oregon roadsigns told me, it’s a Journey Through Time.

IMG_3007The word fossil comes from the Latin fodere (dig) and fossilis (dug up). I spent last weekend digging in my garden. Actually, it’s a plot in my town’s community garden that I share with two friends. I pitchforked the heck out of one corner (I cannot take credit for the rest), and yanked out a wheelbarrow-load of quack grass by the roots. I’m calling it quack grass, but I’m not 100% sure that’s what it is. I am 100% certain it’s annoying, pervasive and hard to remove. But it’s gone (for now), and I replanted some strawberries in a wee corner patch. The rest of our plot is ready for peas, lettuce, kale and even quinoa. Seeds shall be sowed over Memorial Day weekend.

The goal this summer is to start seed saving. I’ve never done that before, but it dovetails nicely with the first chapter of The Origin of Species – Variations Under Domestication. I’m rereading that this weekend. Also, I always find myself thinking of Punnett Squares and Gregor Mendel’s pea plants whenever I’m trying to grow food. Maybe a post about that later. Right now I just keep adding to my Seeds reading list.

I love multi-tasking, so I listened to The Reluctant Mr. Darwin while gardening in a soft spring rain. David Quammen is my favorite science writer, though this book reads more like a mini-biography. So far, Quammen focuses on Darwin’s deep relationship with his devoutly Christian wife, Emma, and on his relationships with his scientific contemporaries, all of which contributed to his intense internal struggles over how and if he should share with the world his discovery of descent with modification by means of natural selection. Thus far, it’s a wonderful portrait of the man. Grover Gardner narrates the audiobook, and I always enjoy his voice; I’ve listened to him narrate the excellent Miles Vorkosigan novels of Lois McMaster Bujold.

More gardening and Darwinning adventures to follow!

 

Photos of Sheep Rock, leaf fossil and strawberry patch by me!

book reviews field notes my darwin project

I’m reading Rebecca Stott’s highly enjoyable book Darwin’s Ghosts, a lively and accessible review of the philosophers, scientists, pundits, and artists who preceded Darwin in the contemplation of evolution. Each chapter discusses a particular group or individual, so I’m getting to know a lot of historical figures in finer detail than I ever have.

Take Aristotle for instance. What do you know about him? Probably more than me. I knew he was a philosopher, but I could never remember if Plato was Aristotle’s teacher or student (ahem, Plato was the teacher). Also I mistakenly thought he was a Greek. Nope. He was from Macedonia, and in 344 BC, that meant he was often treated like an interloper, a metic – an immigrant. He spent a lot of time island-hopping around Greece, teaching, studying, and observing the natural world. He wanted to understand and explain everything, and did not accept myths and supernatural stories in place of the natural laws he sought. He didn’t support the theory of species transmutation over time (Darwin mistakenly thought he did), but he was an intellectual badass who engaged in hands-on scientific study whenever he could.

As is probably the case with most people, it’s the unexpected anecdotes that stay with me when I read biographies. I learned about sponge diving this time. Aristotle was way into sponges – the soft ones that were historically used for everything from bathing to water filters to contraception. Sponges baffled and delighted Aristotle. He couldn’t decide whether to put them into the Animal or Plant category. So he started hanging out with the sponge divers of Lesbos (and yeah I know that sounds like the punchline to a bad joke).

1024px-Spongia_officinalis_001Sponge diving is an ancient form of underwater diving, a rare combination of grace and brutal fortitude that’s both sport and commercial skill. Because Aristotle couldn’t dive (most of the men who did were deaf or deformed from years of enduring the underwater pressure), he had to investigate by asking questions. He interrogated the divers about everything involved in gathering sponges from the sea floor, and about the sponges themselves. Turns out Spongia officinalis belongs to the kingdom Animalia.

There’s a recent New Yorker article about sponges by the wonderful Ed Yong (if you haven’t subscribed to his weekly The Ed’s Up emails, you are missing out). Go check it out.

And that’s all for now – I’ve gotta go hang out with Darwin’s Ghosts.

“Busto di Aristotele conservato a Palazzo Altaemps, Roma. Foto di Giovanni Dall’Orto” by Giovanni Dall’Orto March 2005. Licensed under Attribution via Wikimedia Commons

“Spongia officinalis 001” by H. Zell – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons

book reviews my darwin project

I will never forget the first time I saw the Milky Way: camping in a field on a friend’s North Georgia farm during my senior year of high school. I knew then for certain what I had begun to suspect for quite some time – as an adult, I would do everything I could to avoid living where light pollution blots out the stars. I’ve done pretty well – since college, I have lived in Arizona, Montana and Wyoming, including two National Parks – as far from big cities as possible. For many years I lived in Tucson, one of the best “dark skies” cities in the U.S., and now I’m back in Wyoming, that lightless black velvet void on any satellite photo of the Earth at night. Stars abound in the Wyoming skies.

The City Dark is a film about stargazing, but it’s also about what we, as human beings, might be missing when we can’t see the stars. When our perpetually bright metropolitan lights deny us the wonder of physically seeing and comprehending that there aren’t just a few scattered constellations and pinpricks up there, but billions. This film is about the nonhuman realm, too – sea turtles, migrating birds, fireflies. Endless electric light doesn’t simply blot out the heavens, it may be affecting bodies and brains in calculable, physical ways.

Not everyone has the opportunity to move to the country, of this I’m well aware, and so is The City Dark. It’s actually true that some people like living in big cities – what? Director Ian Cheney relates several stories about growing up in rural Maine and moving to the city. We gravitate toward light – its vibrancy, its safety. But why can’t we design more efficient lighting that serves all our needs? We can.

I loved this documentary. Loved it. It’s the pacing – languorous, nostalgic, heartfelt. Ian Cheney’s calm, almost tender, narration. The soundtrack by The Fishermen Three & Ben Fries – ethereal, dreamy, electrofolk. Sharon Shattuck’s animation and the cinematography by Cheney and Taylor Gentry. The seamless blend of astronomy, interviews, biology, poetic observations, even poignant humor. (Also: Neil deGrasse Tyson!  Ann Druyan!)

I watched a documentary about the Hubble space telescope the other night. Lots of drama about 1990’s scientists and astronauts heroically fixing a problem with the telescope’s mirror so that we might peer deep into the universe and thus, our own origins. I walked out into the starry night and thought about how seeing the Milky Way isn’t really about “seeing it” but realizing that our planet, our solar system is in it, not the center but a wee small part, spinning with the hundred billion other galaxies in the observable universe. When I wish upon a star, I wish that everyone has the opportunity to experience that more than once. Start with The City Dark.

 

“United States at night” by NASA Earth Observatory/NOAA NGDC – http://www.nasa.gov/mission_pages/NPP/news/earth-at-night.html.

Licensed under Public Domain via Wikimedia Commons

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Here’s some thrilling news! My poem “Uncanny Valley Trail” has been included in the Spring 2015 issue of Star*Line, the official magazine of the Science Fiction Poetry Association. This is a major honor and I can’t believe I’m in such great company.

When I first read about the uncanny valley phenomenon in robotics, it practically broke my brain. The concept is all-at-once freaky, simple, complex and mind-blowing. It comes from a 1970 paper by Japanese professor Masahiro Mori. I urge you to go and read the new translation published at IEEE Spectrum (which is by the way one of my favorite websites for robotics and artificial intelligence).

Mori’s paper is lively and fascinating as he diagrams his interpretation of the way humans react toward robots. Specifically, robots designed to appear as lifelike as possible. Mori’s metaphors and diagrams of hills and valleys helped me to visualize the various aspects of the uncanny valley, and because I am an avid hiker, my poem takes shape around a ’trail’ where one can experience this phenomenon as a journey. My poem is both exploration and education for myself. Hopefully entertaining too – for you!

Up until recently, my poems have been published and made available for free by online magazines, blogs and journals. Print is not dead! Star*Line is a quarterly print journal of poetry, and you can purchase your own Spring 2015 copy (or more issues!) HERE. The cover art by Aunia Kahn is stunning, as you’ll see. You can also buy a pdf for $2.50 via Paypal or credit card if you would like!

Heartfelt thanks to everyone for supporting poetry and the arts.

“Donetsk robot 01” by Andrew Butko. Licensed under CC BY-SA 3.0 via Wikimedia Commons

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Hey, so remember my blog post a couple weeks ago about PoMoSco and how I was gonna write 30 “found” poems this month?

Epic fail!  PoMoSco dropout…go back to high school….

Well, I did create 12 poems.  Some of them I like, some of them….mediocre.  But even before I hit 12 I knew something wasn’t working for me. I’d love to say that I was able to power through my lack of enthusiasm and inspiration for this project.  I love the PoMoSco site and the work from the other poets, their feedback, the creativity that went into the badges…  I encountered a form of poetry and many tricks and tactics new to me.  But I just couldn’t get into the concept of found poetry. I guess it’s kind of the way I feel about writing an epistolary novel.  Probably never will – not my style.

So I quit! BOOM!  That’s right. I went back to writing my novels, which is where I truly want to be.  And writing my own style of poetry, whatever that is, I have no idea.  Speculative Wilderness Confessional?  Anyway, I keep waiting to feel bad about totally bailing on PoMoSco.  But I don’t!  Maybe because, as someone once accused me, I’m a bit of a flake.  Well, here I am embracing my flakiness! No regrets about dipping a toe in PoMoSco – I think maybe I earned a Scribble Scout badge?  And hopefully no hard feelings from the PoMoSco staff.  I was truly impressed with the community of poets (aka Scouts) – kind, contemplative, witty.  And hey, I tried writing found poetry, like that one time I tried shiitake mushrooms and blleeghhh no thanks.  Ok kidding, found poetry is cool and tastes really good, unlike shiitake mushrooms, which taste like shiit.

And now it’s back to my usual blatherings about music, evolution, film, nature moments. Getting ready to watch Documentary numbah FOUR soon. What will I choose this time….

 

Photo: “Bouquinistesseine1” by Jebulon – Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons 

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At long last, my poem “Iphigenia” will be published.  I’ve carried this poem around with me for a while, and now she has found the perfect home in NonBinary Review‘s themed issue #4: Bulfinch’s Mythology: The Age of Fable.  “Iphigenia” is my righteous take on the sacrifice of Iphigenia by her father Agamemnon.  Which in no way resembles my relationship with my own father, who is awesome.  Hi Dad!

NonBinary Review is a quarterly literary journal that’s available only via the Lithomobilus app, which can be downloaded  for free to your smartphone or ereader.  The content is free, too.  Go here to get the app.  Once you’ve downloaded the app, you will have access to Issue #4 and all back issues.

You can read more about the story of Iphigenia at Wikipedia.

 

“Feuerbach Iphigenie1” by Anselm Feuerbach – Unknown. Licensed under Public Domain via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Feuerbach_Iphigenie1.jpg#/media/File:Feuerbach_Iphigenie1.jpg

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Well, I’m a week into PoMoSco, the monthlong poetryfest sponsored by The Found Poetry Review.  I’ve composed six poems so far, keeping to the suggested prompt schedule of badges because I need all the help I can get.  I had to skip one day because the prompt was to include an overheard conversation, but I didn’t eavesdrop on anything good!  So that one’s pending.

You can go to the PoMoSco website and look at a map of all the participating PoMoSco poets (aka Scouts) around the world (the world!!).  I am the only one in Wyoming.  No pressure. I started out doing more Wyoming-centric poems, actually (elk, the tie hacks), but now I have diverged into science fiction, climate change, and confessional poetry.  And a poem that I composed from the instruction book for my Zombicide board game!

Will I ever write “found” poems again after this month is over?  I know I’m only a week in, but even though I’m having a great time and I think I’m expanding my vocabulary (getting out of a favorite words rut, I guess), I don’t feel like it’s my milieu. That said, do I have a milieu? I do very often include overheard conversations in my poems, so maybe I’m just blathering here and I should shut up and wait for another few weeks of exploration.  One great perk is my re-discovery of Jimmy Santiago Baca’s poems.  I used his chapbook Set This Book On Fire! to earn my First In Line scout badge.  You can read my poem here.

Part of the month’s work involves community feedback via the comments on each poem’s page.  Love this!  I am discovering new poets and poems every day, like this terrific ee cummings first in line poem, and a lovely short poem composed of lines from an interview with Cheryl Strayed.  And this All Ears poem, which reveals something new to me with every read.  I am in great company.

Photo from Unsplash.

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Since this is MY Darwin Project, I can write about whatever I want, and this morning it’s Cape Verde and Cesaria Evora.

I’m reading The Voyage of the Beagle, also known as Darwin’s Journal of Researches into the Natural History of the Countries Visited During the Voyage Round the World of HMS Beagle.  You can see why folk mostly call it The Voyage of the Beagle.

779px-Cape_Verde_1746_mapThe survey ship’s first port of call was the 10-island archipelago off the West Coast of Africa known as Cape Verde.  Here Darwin encountered dry air, atmospheric dust, cuttlefish, sea slugs, and the descendants of the African slaves first brought to the islands by the Portuguese in 1462.  (I didn’t know that the islands were uninhabited by humans prior to that.)  Reading these first anecdotes, I began to get a vibe that I hope continues throughout – Darwin is so positive, curious, and descriptive.  And he’s really into geology.

1024px-Sepia_officinalis_(aquarium)And cuttlefish of the tide pools, which are so Cthulhu that I might have to do a whole other blog post about them one day.  By the way, I’m really enjoying The Beagle Project website, which has a great post about the corals and cuttlefish that Darwin describes. My approach to reading Darwin is definitely eclectic and stream-of-consciousness, but I do enjoy scientific footnotes and facts!

I couldn’t read about Darwin in Cape Verde without listening to Cesaria Evora. She’s internationally known for her music, and beloved in her own country (she’s on a bank note!).

2000cve-front-preShe sings a song called “Paraiso Di Atlantico,” on her album Cafe Atlantico, which is gorgeous, brilliant, and one of my favorite albums of all time.  I tried to translate the lyrics from the Portuguese, but the best I could do – after copy/pasting the lyrics I found on Google into my Universal Translator app – was a jumble of English and gibberish.  I’m guessing it’s because morna, the traditional music that Evora sings, is usually in Creole.  And yet – extracting those English words became something similar to the found poetry project I’m working on this month at PoMoSco.  If you don’t know about the concept of saudade (sodade in the Cape Verde Creole) it’s worth a peek on the web here.


leafy happy dignity
a people in peace
dear corner of love and sodade

 

 

 

 

“Serra Malagueta Cape Verde” by Ingo Wölbern – Own work. Licensed under Public Domain via Wikimedia Commons

Cape Verde map By Jacques Nicolas Bellin (1703-1772) (http://catalogue.bnf.fr/ark:/12148/cb406025638) [Public domain], via Wikimedia Commons

2000 Cape Verde Escudo bank note By Salguide (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)], via Wikimedia Commons

“Sepia officinalis (aquarium)” by © Hans Hillewaert. Licensed under CC BY-SA 4.0 via Wikimedia Commons

my darwin project